Boudoir

Boudoir Por­traits

As pho­tog­ra­phers who shoot exten­sively with glam­our and bikini mod­els, we often have non-model clients who are inter­ested in being shot in that same style. We have now cre­ated spe­cial Boudoir Photo Ses­sions to be able to pro­vide these clients with both the ‘model expe­ri­ence’ and images of which they will be proud.

BoudoirWhy Boudoir Pho­tog­ra­phy? Many of these clients are not model-perfect, and can’t be shot in the tra­di­tional glam­our or bikini style. Offer­ing boudoir photo ses­sions allows us to cre­ate beau­ti­ful, sen­sual, sexy images for them, with­out being overtly sex­ual or cre­at­ing images that are non-flattering to the client.

Most of our Boudoir clients have never been part of a pro­fes­sional photo ses­sion, and are both ner­vous and excited at the same time. The prospect of hav­ing sen­sual images to share with their hus­band, fiancé, or boyfriend holds tremen­dous appeal, but they’re also extremely self-conscious and fear­ful of look­ing old, over­weight, or unattractive.

As the pho­tog­ra­pher, you need to cre­ate an atmos­phere that is relax­ing and non-intimidating! There is a fine line, how­ever, of which you must be extremely cau­tious. Play­ing soft music is pleas­ant, but if the client hears music with sex­ual over­tones, they may begin to feel uncom­fort­able. If you are a male pho­tog­ra­pher doing boudoir photo ses­sions, a female assis­tant can be invalu­able in help­ing the client stay com­fort­able. Also, remem­ber that a boudoir client is not used to being treated the way you may treat a pro­fes­sional model; we often touch mod­els to adjust a piece of their cloth­ing or hair that is out of place, and they are quite used to it. How­ever, touch­ing or adjust­ing a boudoir client with­out ask­ing can make the client feel extremely uncom­fort­able and ruin the ses­sion. Always remem­ber, even if this client is pos­ing in lin­gerie on a bed, treat them with the respect you’d give an exec­u­tive client in a board­room shot.

As far as the tech­ni­cal aspects of Boudoir shoot­ing go, we rec­om­mend shoot­ing at an open aper­ture for a soft, shal­low depth-of-field. This allows you to cre­ate a soft, sen­sual feel for the client. Muted back­grounds and col­ors can also help cre­ate an over­all soft feel for the client. For light­ing, try to cre­ate a soft falloff of light from one side of the image to the other, with sug­ges­tive shad­ow­ing and a lot left to the imag­i­na­tion! When pos­ing the client, offer feed­back such as ‘that pose is so flat­ter­ing to you!’ and ‘You look so mar­velous and relaxed on this back­ground, it really suits you well’. Avoid using phrases like ‘You look so sexy!’, or ‘That is so hot!’, which may have the unin­tended effect of cre­at­ing ten­sion in the client.

Expand­ing your busi­ness to include boudoir pho­tog­ra­phy is a smart move for the glam­our and bikini model pho­tog­ra­pher, as long as you always remem­ber that your boudoir client isn’t a pro­fes­sional model, even if you are shoot­ing them in the same set­ting and style you use for the pros you shoot!

Categories : Boudoir Photography
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Avoid­ing the trap of one look

Remem­ber the movie “Zoolan­der”? In that hilar­i­ous Ben Stiller com­edy, male model Derek Zoolan­der had sev­eral trade­mark ‘looks’, all of which were exactly the same. As a model, you need to be able to pro­vide a vari­ety of dif­fer­ent looks and expres­sions in order to be ver­sa­tile enough to hire again and again. Here are some tips to avoid the “Mag­num is Blue Steel” trap:

Tips For Female Models zoolander

Derek Zoolan­der

Prac­tice in front of a mir­ror! Mod­el­ing is work, and part of that work is prac­tice and pre­pared­ness. Prac­tice full smiles, half smiles, pouts, snarls, dreamy eyes, sur­prised eyes, mouth open, mouth half-open, and every vari­ety you can dream up!

Learn how to use your hands. Prac­tice how to ele­gantly place your hands in your hair, on your neck, fram­ing your face, and so on. Wear­ing jew­elry at a shoot? Pre­tend you’re shoot­ing for a jew­elry store and ‘show­case’ the items you’re wear­ing. Learn how to use your hands with­out plac­ing the full back of your hand or your full palm directly at the cam­era. Those two big, flat patches of skin will always draw atten­tion away from your face. Learn to keep your hands angled away from the cam­era lens.

Remem­ber, you don’t have to be look­ing into the lens in every shot. Keep vari­ety in your images by learn­ing how to glance away from the cam­era, with­out turn­ing your head to a pro­file shot. Prac­tice look­ing away with­out let­ting your eye­balls hit the cor­ner of your eye; images look best when the viewer can see whites on both sides of your eyeballs.

• Stuck for a dif­fer­ent look dur­ing a shoot? Prac­tice say­ing the vow­els, which cre­ates dif­fer­ent shapes in your mouth. A long, drawn-out ‘a’ cre­ates a pretty, open-mouth smile, while a ‘u’ cre­ates a sexy pout. Go ahead and say them out loud… it works wonders!

Most impor­tantly, don’t be afraid to take a bad shot. In today’s dig­i­tal world, you don’t ‘waste film’ with a bad facial expres­sion. As a pro­fes­sional glam­our pho­tog­ra­pher, I know I much pre­fer dump­ing a few bad shots from a model who exper­i­ments with a vari­ety of looks, to hav­ing a full set of great images from a model who only gives me ‘one look’.
Yes, most mod­els find one look that always works for them… but once you’ve give a pho­tog­ra­pher a great shot with that expres­sion, move on and give them more to work with!

Categories : Boudoir Photography
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A Model & Her ZED Card

Just like every model needs his or her print port­fo­lio, every model needs a com­pos­ite card. They are essen­tial in acquir­ing jobs and clients.

Com­pos­ite cards are also referred to as zed cards. Mod­els, and often actors, who want to mar­ket them­selves use these cards. These cards come in dif­fer­ent shapes and sizes, so a model or actor is able to cus­tomize his or her card using their own cre­ativ­ity. A stan­dard card ranges from postcard-sized up to full 8x10. Con­sider keep­ing your comp card between post­card and 5x7 size; any­thing smaller or larger may be dis­carded by an agent sim­ply because it doesn’t fit well into their pile!


Female Models & ZED Cards zed card

Zed Card is also known as a Comp Card


There are sev­eral ways a model can go about design­ing their comp card. If you have an agent, they will almost cer­tainly have a pre-made tem­plate design for your comp card that they will help you put together. There are also soft­ware pro­grams avail­able for cre­at­ing com­pos­ite cards, and if you’re not a do-it-yourself kind of per­son, you can work together with a pho­tog­ra­pher to put together your com­pos­ite card. There are also pro­fes­sional design ser­vices avail­able online, where all you need to do is upload your images and they will take care of the design and printing.

Your com­pos­ite card in a way can serve as your busi­ness card or port­fo­lio as well. You want to design your com­pos­ite card like your port­fo­lio; you want the best pic­tures you have to be on your com­pos­ite card. Design your comp card in a way that will reflect what you do best, but also show­case a vari­ety of dif­fer­ent pic­tures, imply­ing that you can adapt to any kind of work. A typ­i­cal card has a large head shot on the front and a vari­ety of smaller images on the back. Also on the front of the com­pos­ite card are listed basic sta­tis­tics like height, weight and mea­sure­ments. These stats are very impor­tant so make sure you put them on your card.

When vis­it­ing your agent, or any other agency, it’s impor­tant to look the part of a seri­ous pro­fes­sional model. Hav­ing an updated, com­plete, pro­fes­sional comp card is an impor­tant aspect of ‘look­ing the part’. Make sure not to over­look any of these small aspects of being a pro; it could make the dif­fer­ence in get­ting the job!

Categories : Female photography
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That 80’s Make Up and Hair

It is no secret that the 80s fash­ion was def­i­nitely an era of loud cloth­ing, 80s hair and make up was over the top. Madonna and Cyndi Lau­per kicked off the main­stream looks of the decade and thou­sands of girls every­where were fran­ti­cally try­ing to look and dress the same. Time has indeed moved on since then and fash­ions have changed a lot, but what if you want to recre­ate that look? Here we detail all the essen­tial steps you need to get look­ing authen­ti­cally 80s:

80s Fashion   9 Steps To Acheive That 80s Look 80s hair

80’s Hair and MakeUp

1.) Firstly, to start off the 80s makeup look, you need to gather all of your tools of the trade. You will need some eye­liner (prefer­ably black, although other col­ors work too), it’s up to your taste entirely, eye shadow (prefer­ably either a very bright colour or a very dark color as these will give the best effect), mas­cara, liq­uid foun­da­tion, pow­der, eye­lash curler, makeup brushes and of course — lip gloss.

2.) Now you need to wash your face so that it is clean. Use a mild cleanser for this and make sure that your face is prop­erly clean using warm water. Next, please ensure that your face is fully dry before apply­ing the 80s makeup, it just won’t work doing it on a damp/wet face.

3.) Next, cover up any blem­ishes (such as under-eye cir­cles and other dark spots) using the liq­uid foun­da­tion. What­ever you do, don’t try and cover up and spots and pim­ples by cak­ing the foun­da­tion on them, this will look silly. For best results, apply the makeup with a proper makeup sponge. Using the cheap one that comes with the makeup or your fin­gers will not look as good.

4.) Take your 80s makeup brush, and apply pow­der all over your face. Try and make sure that you get a good even fin­ish and that it is blended in properly.

5.) Now, using the eye­liner color of your choice, apply some eye­liner to your top and bot­tom eye­lids and also to the area of skin directly beneath your eyes. Make sure that you put on a sig­nif­i­cant amount — because you now need to smear it. Using your fin­gers, gen­tly smear the makeup to give that great 80s look. One good tip you can use to stop it drip­ping is to brush some black eye shadow over the liner, it works a treat.

6.) Using the eye­lash curler, curl your eye­lashes upwards until they stay up by them­selves. Then use the mas­cara to brush it onto the lashes, slowly and going up until you achieve that great strik­ing 80s makeup look.

7.) The eye shadow can be applied as you would nat­u­rally; it’s up to you how you do it as you will have your own pref­er­ences on how you go about it. Although make sure that it at least comes up to your brow line for max­i­mum effect.

8.) Go ahead and fin­ish the look off by apply­ing the lip gloss, prefer­ably it will be the glit­tery, frosted type that will really fin­ish the whole look off nicely.

9.) Go wild with your hair­spray and tease your hair until it looks as you want it. Then, your 80’s make up and hair is complete.

Categories : Female photography
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