Tips For Female Models PinExt

Avoid­ing the trap of one look

Remem­ber the movie “Zoolan­der”? In that hilar­i­ous Ben Stiller com­edy, male model Derek Zoolan­der had sev­eral trade­mark ‘looks’, all of which were exactly the same. As a model, you need to be able to pro­vide a vari­ety of dif­fer­ent looks and expres­sions in order to be ver­sa­tile enough to hire again and again. Here are some tips to avoid the “Mag­num is Blue Steel” trap:

Tips For Female Models zoolander

Derek Zoolan­der

Prac­tice in front of a mir­ror! Mod­el­ing is work, and part of that work is prac­tice and pre­pared­ness. Prac­tice full smiles, half smiles, pouts, snarls, dreamy eyes, sur­prised eyes, mouth open, mouth half-open, and every vari­ety you can dream up!

Learn how to use your hands. Prac­tice how to ele­gantly place your hands in your hair, on your neck, fram­ing your face, and so on. Wear­ing jew­elry at a shoot? Pre­tend you’re shoot­ing for a jew­elry store and ‘show­case’ the items you’re wear­ing. Learn how to use your hands with­out plac­ing the full back of your hand or your full palm directly at the cam­era. Those two big, flat patches of skin will always draw atten­tion away from your face. Learn to keep your hands angled away from the cam­era lens.

Remem­ber, you don’t have to be look­ing into the lens in every shot. Keep vari­ety in your images by learn­ing how to glance away from the cam­era, with­out turn­ing your head to a pro­file shot. Prac­tice look­ing away with­out let­ting your eye­balls hit the cor­ner of your eye; images look best when the viewer can see whites on both sides of your eyeballs.

• Stuck for a dif­fer­ent look dur­ing a shoot? Prac­tice say­ing the vow­els, which cre­ates dif­fer­ent shapes in your mouth. A long, drawn-out ‘a’ cre­ates a pretty, open-mouth smile, while a ‘u’ cre­ates a sexy pout. Go ahead and say them out loud… it works wonders!

Most impor­tantly, don’t be afraid to take a bad shot. In today’s dig­i­tal world, you don’t ‘waste film’ with a bad facial expres­sion. As a pro­fes­sional glam­our pho­tog­ra­pher, I know I much pre­fer dump­ing a few bad shots from a model who exper­i­ments with a vari­ety of looks, to hav­ing a full set of great images from a model who only gives me ‘one look’.
Yes, most mod­els find one look that always works for them… but once you’ve give a pho­tog­ra­pher a great shot with that expres­sion, move on and give them more to work with!

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