Swimsuit Photos Video is a post from: MandarichModels.com that specialize in Boudoir Photography, Glamour Photography, and Fitness Photography

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Glamour Photos Video is a post from: MandarichModels.com that specialize in Boudoir Photography, Glamour Photography, and Fitness Photography

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I have always wanted to make a list like this. These are my top 10 sexiest women of my era or at least the ones that have influenced me.  Its a part of what influenced me to learn about Boudoir Photography.  I always wanted to know how they made those pictures look so good.  Please keep in my that this is my list and my opinion.  There are many other beautiful women that could have easily made the list.

I also want to say that there is a HUGE difference in beauty & sexy.  I have been lucky enough to photograph some beautiful women that just weren’t sexy, and I have photographed some average looking women that are extremely sexy!  The way they walk, the way they talk, the confidence they have makes them sexy.  The reason my wife is not on the list is because she is numero uno and then that would make the list 11 ;~)  I hope you enjoy the selections and would love to hear about your top ten.

Tony ;~)

1. Raquel Welch
2. Pam Anderson
3. Farrah Fawcett
4. Madonna
5. Angelina Jolie
6. Sophia Loren
7. Stephanie Seymour
8. Fergie
9. Jennifer Lopez
10. Megan Fox

My Top 10 Sexiest Women is a post from: MandarichModels.com that specialize in Boudoir Photography, Glamour Photography, and Fitness Photography

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After a combined 23 years of taking photographs, it becomes second nature to identify what makes a great glamour image in comparison to a mediocre shot. Here are two factors that will reserve a place on our top 10 list for your next glamour shot.

Adjust Lighting for Glamour Style Photographs

The first thing to do when setting up a glamour photograph, consider lighting. With lighting, you are able to emphasize certain objects, relay a mood, highlight a body part, produce shadows, add depth, and generate a glow around the model. If you move the lighting in a certain way, it is possible to accentuate her hair, face, skin and body. Just watch your lighting and make sure the results agree with the artistic direction the model is trying to portray.

Watch Out for Color Temperature

After positioning the lighting, think about what to do about the coloring of the model. If black and white pictures are what the client is looking for, then go for it. The one thing to remember, do not forget to white balance. If you are more advanced, and wish to colorize the shot, there are no rules, except one. Make the model look gorgeous. If your model starts to look greenish in a shot due to your adjustments, then think of another option. Even though you are an artist, the model, background and overall shot should result in images of beauty. So if something isn’t working, move on and try something else until you get it right.

If your a glamour model or a Glamour Photographer and have any questions about the above tips please email us at info@mandarichmodels.com

How to Perfect Your Glamour Shots is a post from: MandarichModels.com that specialize in Boudoir Photography, Glamour Photography, and Fitness Photography

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Have you ever dreamed of being in a photo shoot where you become the object of adoration by people from across the nation?  BoxScore Babes is conducting a nationwide search to find the next, fresh, look where you have the chance to be a proud member of the elite BoxScore Babes models.

What do You get as a BoxScore Babes Model?

As a BoxScore Babes model, you get to indulge in a full day photo shoot with a professional make-up artist, experienced photographers, and a wardrobe consultant totaling over a$1500 value for free.  Where else would you be able to live out your dream in this once in a lifetime experience?  And that is only the beginning.

You get the chance to be the face of a downloaded app by BoxScore Babes where NFL fans across the country are able to view your finalized pictures on their cell phones via iPhones, iPhone touch, and iTunes.  In addition, your picture will be the main image every time someone opens the free app.  You are the star!  So what are you waiting for?

If you are interested in becoming a BoxScore Babes model, or you know someone who would be perfect for the position please email three images and/or a link to your portfolio to info@mandarichmodels.com today.

Please note, as the winner you will be scheduled to make public appearances, receive media exposure, and be an image accessible via the multi-media world as an app.  You will be required to wear a sexy, referee uniform provided for you. It is the regulation outfit for all BoxScore Babes models.  You are expected to wear it with pride at BoxScore Babes approved events only.

For more information, email info@mandarichmodels.com.

BoxScore Babes Wants You is a post from: MandarichModels.com that specialize in Boudoir Photography, Glamour Photography, and Fitness Photography

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The Armani video featuring new lingerie model and seasoned vixen Megan Fox.

Giorgio Armani unveiled the first Boudoir Photography photos of actress Megan Fox which are a part of an international marketing campaign for Armani Underwear and Armani Jeans, for 2010.

The initial marketing campaign with Megan Fox, was shot on location in Los Angeles by world renowned fashion & glamour photographers Mert Alas and Marcus Piggott, and will hit the public in February around the world in fashion and lifestyle magazines. It will also be featured on centrally located billboards in London, L.A., New York City, Milan, Rome, Paris & Italy.

Giorgio Armani was quoted saying:

“Megan is young and sexy and has a lot of spirit. Emporio Armani Underwear and Armani Jeans are all about a youthful attitude making her the perfect choice for the collections”.

Transforming Into A Lingerie Model is a post from: MandarichModels.com that specialize in Boudoir Photography, Glamour Photography, and Fitness Photography

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Having access to maps, restaurant reviews, and music on your phone is convenient for everyone, regardless of age. People are on the go and phones are the way to share and exchange information. So why not download a free phone application that has a bit more than just data. Why not download a free phone app featuring your favorite NFL team scores set next to stunning lingerie, bikini and fitness models. The idea of having football and beautiful girls on your phone is a winning combination. And, BoxScore Babes is here to fulfill that phone app void for free.

What is BoxScore Babes?

BoxScore Babes provides free, live streaming NFL score feeds at your fingertips with images of bikini, fitness and lingerie models separating it from other available apps today. Imagine, you are able to view images of gorgeous girls while never missing a NFL score. It helps you keep track of your Fantasy Football League and offers the chance to follow your team in a true fan fashion. You get images of extraordinary women and football scores together. It is the best of both worlds all within one app.

How Does BoxScore Babes Works?

The way it works is you download the application at no cost. Then, once the app is downloaded, you have the capability to view nine images in a gallery or scroll through each picture, individually in full screen mode. If you wish to jump straight to the scores, then you click on the “score” button to see a full page of current scores.

BoxScore Babes is available for your for your iPhone or iPod Touch 2nd Generation today. Additionally, it is available on iTunes in the “Sports” Application Category.

BoxScore Babes App is Free and Ready for Download Now! is a post from: MandarichModels.com that specialize in Boudoir Photography, Glamour Photography, and Fitness Photography

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I had the honor & privilege of being interviewed by “The Image Doctors” for their podcast.  We talked in great detail about how to prepare to shoot Boudoir Photography from start to finish.  From the initial phone call from the client to the final output of images, and everything in between.  Jason and Rick are true pros and know the business of photography.  I hope you enjoy the podcast.  As you know if any of you have any questions please email us and we will try to answer them as best we can.  Click the link below to listen!

Boudoir Interview with “The Image Doctors”

Image Doctors:  Hey everyone & welcome to the Image Doctors.  This is episode 110 for Feb 4^th, 2010.  I am Jason Odell and I am Rick Walker & today’s podcast we are going to devote the entire time to really fun interview with really fun guy.  We thoroughly enjoyed this interview.   It’s with Tony Mandarich & probably there will be some of you that instantly recognize that name and some of you are saying I’ve heard that name but I don’t know why.  So why don’t we, without further ado, go ahead & jump in to the interview.  But, one of the things we are going to be talking about in the interview, in addition to the interesting career that Tony  had prior to becoming a professional photographer, we will talk a little bit about Boudoir photography, working with models, and things like that which is something we really have never done on this podcast. And it‘s perfect for coming up on Valentines .. there’s a bunch of things coming up, so without any further hesitation, let’s get Tony on the phone.  Welcome, Tony to the show, thanks for joining us on the Image Doctors

Tony:  Thanks for having me guys,

Image Doctors:    We really appreciate it.  Any time that we can get an interview with a photographer, take time out of your day, it’s always a pleasure for us to meet new people, and expose our listening audience to new subjects in photography.        We wanted to start off a little today with the way you got into photography, because unlike most of us you probably didn’t start off thinking I’m going to be a photographer, your position is a little different.

Tony: no. no, yah, when I was 11 I was like, you know what, I want to play in the NFL, I want to be a professional football player and it wasn’t a photographer but as time and I grew up and you  find out and you have life experiences, do things  that shape you, things that you lean toward, but  photography was always one of those things but the question for me was like how did they do that shot, whether it was a landscape  or whether it was a picture of a person, and I always thought what  was curious for me was how did they make that shot look like that … so you have to kind of reverse engineer it right?  either find the person or ask the professionals and then they reverse engineer it there and they say so this is where the light is coming from, and probably it was shot at this time of day and there is so much too it with  composition, angle, where you are coming from, you know, and I mean as you guys know you can shoot something at high noon and make it look like it’s night.  You know!

Image Doctors:  yah, so for our listeners who are not aware Tony wanted to be an NFL football player because he’s probably the one guy I know who is big enough to be an NFL football player..(laughter) so what  are you 6’7’, huh, Tony?

Tony:  oh 6’5’, oh and you know, a skinny 305

Image Doctors:  exactly, and mean.   As we were talking before hand, I saw your name on FaceBook and it immediately rang a bell with me because that name seems really familiar because in the 1980’s when I was in high school, at the time, and in the late 80’s I had a subscription to Sports Illustrated… and there is a very famous photo of you on the cover of Sports Illustrated because you were actually playing in the NFL for a few years, is that correct?

Tony:  Yah, I ended up being drafted in 1989 by Green Bay and spent four years there was there until ‘92, was out of the league for three years and then came back to play in ‘96 at Indianapolis and played there until the last season I played was ‘98 and I retired in ‘99. So I was lucky enough to play my last year in Green Bay with Bret Favre and then my last two seasons at Indianapolis with Peyton Manning and a bunch of those other guys Marvin Harrison and  Edgerton James   some of those guys will be hall of famers; it was great really a dream come true for me.  Because, you know, like I said at age 11 I had made a decision, you know what?  I want to play in the NFL, that was what I wanted to do, and obviously with a lot of work and a lot of preparation and a lot of  luck and not being hurt and just taking the right avenue, I was lucky enough to get drafted and really live that dream out.  It had its ups and downs , if anybody  knows the history of my career, it  had some pretty low lows but it had some pretty high highs, and it ended on a really high note and so now I can’t believe I’ve been retired for 11 years, it just makes me feel old.

Image Doctors:  (laughter)  We know that feeling , by the way.  And you put out a book last year, correct?

Tony: Yah, it came out last March, March of 09 and it‘s called “My Dirty Little Secrets   Steroids, Alcohol and God”  and it’s really, just  a really pretty candid, honest  recollection of what happened behind the scenes , a lot of this stuff the fans did not know about, really taking ownership of my faults and the things that I did wrong and really a cautionary tale for any athlete, high school football player, really any athlete, any kid that is contemplating  on using steroids or drugs in general, because a big part of my problem was painkillers,  prescription pain killers which you kind of feel like, well it’s not a street drug, it’s not cocaine, it’s not an illegal drug and you kind of rationalize it and you have to be really careful that you don’t get hooked to start using it.

Image Doctors: Yah, I recall Brett Favre had a similar issue

Tony:  Yah, he did and I think he had that issue three years after I was already with Indianapolis so you know I could totally relate to what he was going through.

Image Doctors: Yah, and it’s not unique to professional athletes either, it’s a much broader thing.   I’m curious, you know going from a career like you had in football into photography, that’s a very big change.  Now you mentioned  interests at an early point, so that was probably something that was always out there, but  what made you decide to move into photography as a profession?

Tony:  Well, you know it’s probably one of my biggest passions, and you  know I had a 35 MM DSLR  but having one and knowing how to use one are two different things.   In Green Bay I had one, you know I took shots and would be like, I don’t get it, why is this too dark or why is this too light or why is this not looking the way I want it to look?  In the olden days like then when you had to use film it was a whole different process.  I did not have a darkroom, I took it to a place to be developed.  And at that time I was so busy with football that it kind of took a second seat and when I got to Indy in 1995 or 6 and Sony came out with a camera called the Sony Mavericka .  It was a digital camera and it recorded on a 3 ½” floppy disc.

Image Doctors:  Yah I had a friend that had one.

Tony: You put the floppy disc in the camera, you talk about simple, you take the shot, you take the floppy, just put it in your computer and it’s there.  It sounds like this is pretty cool, and so I started getting much more serious about it at that point when the digital was in the infancy of digital, and it fascinated me, and then some of the post production stuff that you could do, at that point, I was like it was kind of cool!  Except if I were to look back at that stuff now it’s like I thought, you know over –saturated something by plus 50 …

Image Doctors:  I think we all went through that stage

Tony:  Thank God that there was not like online portfolios that you put your stuff on, and say “hey, look what I can do!”   (chuckles)  But you know you go through that and it is part of the learning process  I think because it lets you know  hey this over does it, or this under does it with this desaturates   or your contrast or your curves or whatever you are dealing with the levels in Photoshop or whatever editing you’re using for post production.  And you know I started, at that time I dated a girl in Indianapolis that did local modeling, and I would go with her to some of these photo shoots by these photographers.  These photographers were shooting for their own portfolios and they would have lights and everything  and cameras, nice cameras, and in between shots or when they were done with a set  I would just have my girlfriend hold up for 5 minutes and I would just take some shots with my  point & shoot or my Mavericka, just to take some shots for fun so we would have the shots.  Well, when she would get her shots back from the photographer, and I would compare them against my shots, the photographers shots were definitely better than mine, but they were not that much better!  So we kind of looked at it and you know, I was not that far off; well I watched him do it because I was there, and I watched the way he moved the lights, and where he put things and his composition and what he was using and about the only thing I didn’t know because I didn’t want to bother the photographer was what aperture he was shooting at and all that other stuff, so that is really how it started to evolve and then as years went by the digital got better and better and now out of this world significantly better and things you can do obviously things you can do with digital that you never could do with film you know adjusting your color temperature, there are purists that will say you could adjust how you wanted the color temperature to look by doing certain things or by buying certain film, but you know you couldn’t just go to color temperature and  take it to 6700 kelvin (?) or to 4000 kelvin depending on what’s going on and just shoot it.  I mean the flexibility is just absolutely unbelievable.  So that piqued my interest and got me going, and then I got tired of shooting that girl, so I got rid of her, (laughter) and then, whether you guys want to cut that out it’s up to you two!

Image Doctors:  I think we’ll leave it in for a bit of color.  I like it.  I had a friend who once told me that when I said where is your girlfriend … he said oh, I fired her!

Tony:  So, then what happened, was, you know you are so in that phase of , hey look, I would love to shoot Victoria secret models, and I would love to shoot Playboy style,  or I would love to shoot that beautiful Boudoir style,.  And you know there is a HUGE difference between shooting that raunchy and sleazy or shooting that classy and beautiful making the woman look absolutely stunning.  But, there was so little knowledge in how to do it that I was really overwhelmed on it, so you don’t even do it, because how are you going to do this because are you going to look like a fool.  I always had that concern that am I going to look stupid in front of this girl, you know I don’t know how to direct her to pose, or how to light, so I knew that I had a huge learning curve to do this before I got  started really getting serious about it.  So then what I kind of veered towards was landscape photography, because the trees can’t talk back to you.

Image Doctors:  Right, they are not going to say you are an idiot.

Tony:  The mountains and rivers and lakes aint going to talk back.  But you learn a lot with that too, and it was very important and I love landscape photography and you know, my wife and I now, she is a special photographer and she’s been shooting for close to 20 years now, and just to give you a brief history on her, she shot mostly weddings and seniors until I came into the picture and I said “You know shooting weddings and seniors is great, but I’m not shooting weddings and seniors, I’ll shoot models, or advertising photography, or commercial photography or  lifestyle photography.  So that kind of steered her away from that because I think she saw that it was more interesting.  I think there is a certain bit of insanity with wedding photography, because you have to deal with the bride, the bride’s mom, and it’s a pretty important day so, there’s pros and cons to everything , and I tip my hat off to wedding photographers because the stuff they have to deal with is unbelievable..  you know not only do they have to shoot , but you have to shoot it the way they want it and sometimes your vision of what they say is different than their vision of what they say.  So we’ve done a few weddings, but they’ve been actually pretty interesting because  they’ve been weddings of clients how have already been our clients say for commercial photography and then  they say, “Hey can you shoot our wedding…”  and one wedding was, I don’t want to say it was a biker wedding, but it was a custom bike builder who got married, so even his wedding was fairly unique because the people there were just awesome, the characters and a bunch of short mini skirts, it was just perfect!  And I was like if there was ever a wedding I want to shoot, this is it.

Image Doctors:  By the way, we’ll just mention that we’ve looked at a lot of the images in your galleries and Jason has one of them up right now so if we happen to drift off and we aren’t talking you will know that we are looking closely.

Tony:   Are we doing an interview?

Image Doctors:  I’ve got to say that you’ve learned it, the lighting, the poses, everything is just fantastic.

Tony:  Thank you, I appreciate that, and you know it did not happen over night.  It took a lot of work and you know a lot of collaboration, and my wife and I, we pretty much work as a team.  There are definitely strengths that she has in photography that are way stronger than mine, one of them being how to pose a girl, and I think that when she was younger she modeled, and then her being on both sides of the camera has helped, and I’ve learned from talking with her  about that,  the basic lighting, I learned from her, that lighting was for good exposure and that was it because that was all she needed to know for wedding and portraits.  What happened when we moved to Phoenix 6 years ago, I assisted a photographer for a whole year, a guy named Paul Marco, he’s one of the nationally known commercial, and advertising  photographer, he’s fantastic guy.  And do you know what?  He had no secrets to hide.  It was like he saw how passionate I was about it, and he said this is how I do it and this is how this works…  he wasn’t threatened by “oh my gosh, this guy is going to take clients away from me or anything like that.”  He said, you know what, you can have the best camera, and have the best lighting equipment and you can have the best looking model, but the bottom line is you still have to shoot it, you still have to direct it and you still have to eye it, and your eye is different than my eye, and what comes out of your head is going to be so different than what comes out of my head.  The definition of beautiful to you is probably different than the definition of beautiful to me.  The same with my wife, my wife shoots  the same girl that I shoot in the same lighting, and her definition of beautiful and sexy is way different than my definition of beautiful and sexy, and my definition has a lot more edge to it,  where hers has a lot more softness and beauty to it.  So it’s great for the client because they get the best of both worlds.  And it is interesting when the client at the end of the day or the following week when they pick the certain images that need to get edited  interesting because they usually lean toward one of the styles, it could either be hers or sometimes it’s mine.  Let’s say they pick 10 pictures they want done and 10 are hers and 2 are mine or vice versa because they just like a certain style, and they have no idea which one of us shot what.  And that is kind of the trend that we’ve noticed, and it’s good for the client because it gives them the best of both worlds in that aspect.

Image Doctors:  I have to believe that with the number of shoots you’ve done by this point you probably have kind of a generalized process that you use mentally just to guide yourselves both in terms of how you start working with the model, how you talk with them, interact with them, get them comfortable, and then how you get the shot set up and how you decide on your lighting.  Could you give us some insight into that whole process?

Tony:  Yes, absolutely, and you know, I’ll just give you the process from this last week.  A girl calls us, and says she wants photographs for her husband for Valentine’s Day.  She’s seen our website and she’s gone through it and yah da yah da so okay, take pictures off of our website, right click them and save them in a folder.  Surf the internet, I don’t know where you surf, whether you surf Victoria Secret or whatever kind of style or image you like.  Surf the Internet, grab the pictures that you like, that you want to emulate.  And we told them, you don’t need to know why you like them, just let us know that you like them and that’s what you want, because what it does for us is, again, we’ll start reverse engineering, look at the composition and how the pose is, where the light is coming from, what style they like, and that really helps us a ton, when you get back to that point of the girl wants sexy shots for her husband.  Well my definition of sexy is probably different from her definition of sexy.  So that’s why we say “show me” what you think is sexy, and that helps us plan for the shoot.  One of the biggest things a girl, I’d say maybe 30% of our girls that we shoot will go, kind of be, not really be argumentative about it, but will say “I don’t need a makeup artist and I don’t need a hairstylist.”   Then we say “If you want this to look awesome, hire the artist, we’ve got the makeup artist and the hairstylist, we’ve got several of them that we use, and there are one or two that are our favorites.”  And we tell them “it makes a difference” and out of those 20 or 30% that opt not to pay that extra $250 or $400 depending on how long we shoot them for the makeup artists, at the end almost 100% of them regret it, because they say well why doesn’t it look as good.  Well it’s because there wasn’t a makeup artist there and we do our best, because there’s two of us shooting .  We do our best to make sure, you know, that if a collar is flipped out and it shouldn’t be flipped out, that we correct that during the shoot.  But when we are concentrating on the photography part, the makeup artist almost doubles as a wardrobe person so she will go, look at something and say but that doesn’t look just right, let me fix her hair, let me do this.  Something is sticking out of the back of her shirt and doesn’t look just right or whatever, so the makeup artist is crucial, a hairstylist, luckily we have a couple of girls that do both.  So we always tell the girl that it is crucial that you get this if you want the best possible image.  And then we get the images from them that they like, I’d say half the time we will meet with the girl before the shoot, it might be a week or two or three before the shoot, again just to go over the things, to go over our existing website, and she’ll be yes I like this, no I don’t like this, this kind of style really does it for me.  And then we tell them, bring way more wardrobe than you think you’ll need, because we can sit there, then we have options to pick and choose.  Then we tell them, there is actually a post we did a few days ago on our blog, on the Mandarich Models Blog that kind of like a check list of do’s and don’ts in preparing for one of our photo shoots.  The day of the shoot, shower in the morning, don’t wear any makeup, don’t put anything in your hair, don’t wear anything tight, don’t wear a bra,  wear a loose sweatshirt, loose sweats  so there are no lines embedded in your skin.  If you could do a pedicure and manicure the day before, it helps, at the end of the day, those little details help.  You start talking details like hair and makeup, getting your nails done correctly, all these things accumulative add up into getting as good a shot as you can get.  One of the things we discourage is the self tanner stuff, because it is blotchy.  Regular tanning is fine, whether the tanning booth or outside, but don’t do the rub-on or the spray tan a couple days or the day of the shoot because it looks blotchy.  You know little tricks like that we always encourage our girls to bring an escort with them, to feel more comfortable, a friend that they can feel comfortable with.  We encourage them NOT to bring their boyfriends or husbands, because all of a sudden you have a second photographer telling them (laughter.  Image Doctor:   Back seat photography. .) and that was me, that was me years ago, but  I went for the security reason, for my old girlfriend, obviously I didn’t hype in to say hey you should shoot it this way or this way because I didn’t know anything, and it wasn’t my place.   But sometimes you’ll get, we will shoot a girl for her portfolio and her boyfriend will come with her, and he starts directing on this is what I think you should do, so I just stop and I give him a camera, and say “go ahead and shoot it” (lots of laughter) and it kind of shuts them up pretty quick because they don’t even know where the shutter is, right?   And there is a whole checklist of things we continue to go over, but that’s really the methodology.  And then the day of the shoot  we just tell them to make sure they get enough sleep the night before, if you are really stressed it is going to show in the pictures, try to be relaxed, try to be yourself,  try to be at comfort, and we tell the girls if there is a shot , or if you are planning on doing any kind of classy moods or anything like that, if you are uncomfortable with a guy being there, let us know, because Char  can shoot it, my wife, she can shoot the main part of the female,  because I can set up all the lights, I do as much work as I can, so Char has the least amount of work to do after, then I just, you know, go check my email , or something, and let them shoot it  girls that we shoot that are lingerie that feel uncomfortable with a guy being there shooting, because they are  shooting it for their husband, and that their husband might be uncomfortable knowing that there was another guy there, so we get all that out in the open weeks before so we know and so she feels less threatened.  In our case, there is nothing to be threatened about but there are photographers out there in an amateur status that have raised that as a cause of concern with some of these models, when you hear  some horror stories and things like that where the guy started hitting on the model , you know but that is poor.  If you want to do that go to match.com, right?  Use a dating website, don’t use photography.  So, we try to make the girl feel as comfortable as possible, and I would say that 5 to 7% of the girls will feel that way and will say that they are more comfortable with just the girls being in the room and shooting.  95% of them are totally fine, and you know if somebody would ask me that question I would say it would maybe be a 60–40 but 95% of them are fine and I think in our case, one of the reasons they are fine with it is that this is a process about photography and they start to see how much work goes into it with preparation and setting up the lights, setting up the meetings before, giving them lists of do’s and don’ts, do this don’t  do that to prepare for the shoot, and they start to see that we really are interested in giving them the best possible images so the threat of this guy seeing me in lingerie isn’t there, where it might be in other cases where the guy is meeting her in a hotel room and whatever, you know?

Image Doctors:  Yah, how long does a normal shoot take, start to finish, from when they arrive to when they depart?

Tony:  Depending on the package, we have a lunch hour package which is basically one look, one back ground, no makeup artist, if you aren’t hiring one, which is half to one-third of your time, (girl being prepped—these are the four basic shots we will be doing; what makes the most sense for these shots?  Then the make-up artist has to do the work.) She has to do the most time effective work; let’s say we do a portrait, and she decides it makes sense to do that first, before she has to start going crazy with the more elaborate stuff, lots of beauty work on her face, makeup and hair.  You don’t want to do the big makeup first and then the casual stuff where she has to scrape off all the makeup.  The lunch hour session will take about two hours because of setup; hour or hour and a half for the girl; one outfit, she lays out the outfit; we make suggestions and ask her what she would like; we talk.  We shoot it and that usually gets about 200–300 pics that she can choose from.  Then if you go to our full day package, which is an 8 hour shoot, 99% of them get a makeup artist who is here all day, shoot four or five series; if she’s fast, we’ll shoot  6–7-8 series if there isn’t any time constraint.

Image Doctors:  You were talking a little bit about them feeling comfortable, and I have to believe there is a big psychological aspect to all this, and how to make things come across well.  Is there anything you have found that work particularly well with your models, that you do to get their comfort level up?

Tony:  Yeah, the comfort level and details and variables matter.  If you have a website or portfolio on a modeling site, what you put in that portfolio, not just images that carry the most weight, make the profile non threatening.  Make it real; mention there is always another female there.  Encourage her to bring another female or escort with her (boyfriend, husband, dad or best friend); that lets her know that she can be less threatened.  She is encouraged to bring security.  So how you write your copy on your site matters.  Meeting with her before the shoot, starting to build relationship, letting her know that you want the best images, our main motive.  You want her to say, “Man!  I can’t believe this is me.  It looks so great!”  I look for vibes of feeling threatened.  As soon as you meet with her, 15 minutes or an hour, they realize this is business; what we are trying to do is get the best possible product for what they want.  We work to eliminate the threat.  I think our approach puts them at ease.  For us it’s being real and saying, hey look, let’s try this and this and once they see this is about preparation and business, not me getting half-naked in front of this guy; they start to see that was my perception that I was concerned about, but now they see there’s a lot more to this work.

Image Doctors:  Absolutely.  Theme I’m picking up here, and it’s just excellent, and it applies all the way around, is that level of detail and preparedness that you bring to the table here, whether it’s a wedding or something else, they are a little bit hesitant to ..  they see the price for the package, and think ..  my husband has a camera or my best friend has a camera.. how hard can that be?  And they’ll give me a CD for free.  There’s no prep or work in that; even if you have the lights, there’s no work in that.  You guys have a studio environment, right?

Tony:  It depends on what the style of shoot is.  60% of the shoots are done in our house, because of environment..  furniture, walls, stuff on the walls, piano..  day to day things .. neat looking doors…  in a studio, if a girl wants that Playboy style or that lingerie style,  there’s a lot of setup.  Have to set up the atmosphere.  We do a lot of that; most are either done at our house or their house.  They may have a beautiful home perfect for shooting.  Warm Colors and tones, depending on the style of product they want.  If she is looking for a clean look, solid background and colors, then we’re definitely in the studio.  Send us the pics you like off the Internet, make a folder of 15–20 images…  if 17 of those pics have a solid color background, then we need to be in the studio.  If they have environmental stuff (staircase, bed w/satin sheets, windows) then we’re at our house or hers.  A lot of that depends on what they want.  We tell her pick the images that do it for you.  Pick the pics off the Internet that make you say, OMYGOSH I love this image.  You don’t have to analyze it; we’ll do that; we just have to know what you like, not why you like it.

Image Doctors:  Jason keeps bringing up pages on your website and it keeps distracting us..  (laughter)..  Your lighting is very nice.  Are there certain types of lighting you gravitate to?  Lighting modifiers?

Tony:  The first thing we look at is what images she likes  –broken record here. It’s not what I like; it’s what she likes; I like warm tones, sexy, ..  we usually have one main light..  my favorite shooting is with one light.. getting that beautiful dramatic look. But it depends on how you want the pic to feel; there are variables involved; key light to get that catch in her eye to get most or half of her lit up, then we’ll do a rim light or hair light—45 degree angle of the opposite end of where the main light is; so if you have the subject in front of you, then 45 degrees to left is main light shooting at her; behind her is the other light shooting at her back or side of her body, you can do a soft box to get more of the body or you can do a scoop to get more of the rim like on her hair, different color gels to get different themes and outfits..  one of the girls is a 37 year old fitness model, mother of four, body is incredible; flew in from Baltimore; we did photo shoot with her; she was absolutely outstanding; her second photo shoot ever; very confident; she knew she had a good body and was grounded which makes it so much easier to work with her.  We got that main light, got the soft box with a hot pink gel ..  we do a series of 50–60 pics, takes the gel off and do more pics without the gel.. gives it a totally different feel but you’ve made an adjustment in 2 seconds; make the light more specific on top or back or her hair..  add scoop of the grid or beauty dish with the grid to make a more specific spot; sometimes we add warming gel to make hair more gold; depends on outfit, background, add other elements..  smoke machine/fog machine..  little big of fog in the background,  blurry, adds to pic and mood of pic; a lot of girls love it; some don’t; love the feel of how dreamy it looks; shoot video in Internet marketing business; shoot behind the scenes stuff; have lights then for video;  it’s a $1000 set for lighting for videos; we’ll use strobes; we’ll use continuous lights that we use for video; if we take a shot and look at it in viewfinder, to see if it looks good; look for dead spots that don’t look good; sometimes it’s too dark in background, will take a continuous light behind her, up or down or side, you can control all that stuff with how broad it is, how tight it is; shape the light and fill voids so pic looks better; it’s all subjective; ‘what do you like’… wife and I will look at an image and she will say it looks great, and I will see something that needs to be changed, or vice versa.  I’ll be, like, No, it’s completely off..  some head-butting there, but this is art.. subjective so there’d better be different views.  There’s a core of it that is the same.  But what I think looks great might look horrible to you.

Image Doctors:  Right!  Most of our listeners use Nikon stuff, but we have a core that shoots with Canons.  You’re a Canon shooter right?

Tony:  Right.  And as Canon shooters, we pray for you Nikon people.  (laughter).  No, I’m kidding.  Listen, it’s like Nikon and Canon are like saying Mercedes and BMW.  Both are pretty dang good.  My two cents?  Four-five years ago Nikon was WAY behind high end/SRL stuff. Canon laid an egg with the Mark 3 and Nikon really started kicking butt.  And that was good.  The competition it creates between the two makes it better for us as photographers.

Image Doctors:  Absolutely.  It is the photographer that matters.  What are you using these days in terms of bodies and for the shots you are using, what lens are you using?

Tony:  We have the Canon 1DS Mark 2, four years old.  That camera will have to be replaced here soon, maybe by the Mark 4, but we’ll have to see the reviews on the Mark 4; again, the Mark 3 didn’t do that good; the one I use the most is the 5DMark2; I absolutely love that camera; it’s very affordable.  That Mark 2 five years ago was $8000 bucks.  When we’re talking about spending for photography, and that’s just the body, they say the Mark4 (premier camera) will be selling for $5k.  The price of technology has come down; so the 5D was $2500; it puts out images that are outstanding; prices are coming down; the sensor is great; I have friends shooting with a Nikon and images coming out of those cameras are absolutely awesome.

Image Doctors:  I’ve had a chance to use the 5DMark2, awesome camera.. nice package.

Tony:   Yah.  I love it.. it’s easy to handle. I got the extra battery pack with grip.  So you have the vertical shutter.  For lenses 70–200 2.8 lens which I really like for shooting boudoir stuff; you can be backed off the model 25–30 feet and shoot at that shallow aperture and get awesome images; we also use a 35–350 Canon lens.  We have an 85mm fixed 1.2 which we use a lot for portraits.  It’s the sharpest lens I’ve ever used; can shoot an upclose portrait 1.8 or 1.4 aperture and have one eyeball in focus and one out.  Range is absolute incredible.  24–105 one of my favorite lens.  We used it in a hair salon I call it ‘Salon Girl’; almost a pinup pic; go to our glamour photo gallery, a pic from that series is there..  second row, second photo; it’s like a pin-up, girl holding a book, checkered floor; we’d just purchased that lens and shot with it that day.  One of the best shots I’ve ever taken was that day in this series; checkered floor, angle was right, lighting was right; screwed up.. in background on floor, could see power pack and cables; but my wife is so good with Photoshop, you’d never know it!  She got rid of it all! (laughter)

Image Doctors:  Going back to preparedness, people still don’t understand what happens on the back end.  Retouching can be really important.

Tony:  Yes, it’s just as important.  The less you have to retouch the better.  Ultimate compliment with post production, nobody ever says that was retouched.  You want to make it look as good as possible without retouching and making it obvious you did Photoshop.  The biggest no-no is to make the skin too smooth or whites of eyes too white or teeth too white.  Ridiclourly white.  Fine line between that stuff.  But it’s a big part of game; go to our boudoir gallery…  three rows down, second pic over; same girl twice in same pic; that’s two different pics w/same background, and one, she is looking down and one she’s looking ; up; taken seconds apart; hold everything the same and bring her eyes to me; look at her hands—identical; hair—identical; mirrored image; eyes are up in second pic; I flipped the pic and layered it in in Photoshop and blended it in.  Someone may see that and hate it.  I love it.  I think it looks cool.  I don’t do that all that time, but i love this one. It’s a matter of learning what you like and how much experience you have in Photoshop and know what options you have.

Image Doctors:  We’ll put links to your multiple web sites..  facebook.com/imagedoctors.  Briefly mention what your sites are.

Tony:  www.mandarichmodels.com is our female photography site with page for male models.

Image Doctors:  Somehow Jason and I forgot to look at the males.  (laughter)

Tony:  95 % of our models are female ; we shoot male models fitness and male models also if they want to hire us.  Mandarich Models site is more boudoir, lingerie, building model portfolios, pointing out what we do so models can read it.  Our other site is www.boxscorebabes.com an iphone application website; we have an iphone app called BoxScoreBabes.  It’s an app of 3 categories, lingeries, fitness, swimsuit or bikini; has girls on there and scrolling NFL scores and an RSSfeed.

Image Doctors:  Yeah, good place to get NFL scores!

Tony:  Yeah, we do surveys al l the time and that’s the only reason the guys buy it!  (laughter)  Especially in May!

Image Doctors:  You mentioned this iphone app… is it free?

Tony:  We’ve had it out since Sept, with 99cent cost thru itunes or our site; today, we’re making that app free.  If you have an iphone or itouch you can download it.  All the photographs are ours, no one elses.  The other thing we are launching this week is the next face of Box ScoreBabes; on that, you ‘ll see on the site, image of iphone, image of girl there; that’s the face of BoxScoreBabes; that’s the first image you will see when the app starts; we are looking for new girl to replace that one; just for variety; nothing wrong with the first one; she’s been great.  Females need to call us via the website to apply for that position; others can nominate a girl, obviously with her permission first; ask her first to be sure she wants to do it—don’t nominate her if she doesn’t (laughter).  We’re pretty excited about that; it’s football related; close to Superbowl launching now.

Image Doctors: We can’t let you off the hook without getting your thoughts on the Superbowl?  This weekend.  Should be a national holiday, we should get Monday off to recover from the parties.  What do you think Tony?  I have a hunch which was you’re going.

Tony:  I’m going out on a limb.  I would not be surprised if it ends up being the #1 watched Superbowl ever.  You have Indianapolis, you have the greatest quarterback, you have a great team.   And then you have them going up against the Saints, so much history there.    They’ve never been to Superbowl; so much history; the recent history of adversity for the team and then the adversity with Katrina.  And then team possibly moving four years ago.  And here they are four years later going to the Superbowl.  And Drew Brees and the team having unbelievable year; two hugely explosive offenses.  So many cool side stories… Peyton Manning’s dad was a Saints QB; so much interest in it; it won’t surprise me that  Nielsen ratings will show most watched Superbowl ever; should be exciting; high scoring; nothing to hide anymore like don’t do this play because everybody will know;  everything is laid out on the line. It should be pretty exciting.   My pick is Indy; I think it’s going to be one of those 42–35 or 42–38 Superbowls.

Image Doctors:  Should be fun to watch.  Looking forward to it.  Thanks so much, Tony, for giving us your time.

Tony:  My pleasure!  As I said in the beginning, one of my biggest passions is photography.  When people hire us to do this, it is a lot of work and set up.  But I end up giggling to myself; I LOVE doing this; and getting paid for it!

Image Doctors:  Seeing your photos, I can see why!  Thanks tony.  Again, we found Tony through FaceBook. You can go there and leave comments about the show.

The Image Doctors Podcast is a post from: MandarichModels.com that specialize in Boudoir Photography, Glamour Photography, and Fitness Photography

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I’ve been meaning to blog about this for about a month now — ever since I edited an image of a GORGEOUS fitness model that we shot for her portfolio. One single image took over an hour to edit, and there was literally nothing wrong with her body. I spent all that time editing… the very obvious remains of poorly-applied self tanner on her hands.

More often than not, female models (and male) with whom we work try to achieve a tan before our shoot. Tanned skin looks healthy, and we have nothing against a model with naturally tanned skin. An appropriate color of spray tan, done by a professional, usually has a good result as well. However, when a client tries to apply a spray or rub-on tan before a shoot, the result is always disaster. Yes, always.

I hear the protest from our clients and glamour models now, “But I use self tanner all the time and I know how to do it — it isn’t streaky or blotchy and looks natural!” My answer to that is, Yes, I believe that you can do a good job and that it looks natural.… under normal viewing conditions. However, being under color-balanced photography lights is NOT normal viewing conditions. Skin will reflect and absorb light in a photograph with much starker contrast than a viewer would see ‘in person’. This means that no matter how carefully you apply self-tanner, the camera will see uneven tone, blotches, and areas of unnatural color (usually orange). An additional peril of self tanner is that the user often chooses the darkest shade available, which is usually much too dark to look natural. The best spray tan deepens and intensifies existing skin color; it doesn’t dramatically change it.

The moral of the story: if you want a tan for your shoot, then start tanning (either in the sun or in a salon) well before the shoot, so that you have time to naturally build color while doing minimal damage. Know that even when a sunburn has faded to the eye, skin will still looked burned in a photograph — the camera is relentless. If you prefer a spray tan, spend the few extra bucks to have it applied by a professional. We know of several spray tan professionals, one of whom will do an application for only $25. And if you insist that you are the one person who really, really can do a good job of applying your own tanning spray or lotion, then I will allow you to do so… but be prepared to pay for excessive editing time, because it WILL be necessary :-p

The Perils of Self-Tanner is a post from: MandarichModels.com that specialize in Boudoir Photography, Glamour Photography, and Fitness Photography

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Here is a quick down & dirty list of dos and don’ts when you prepare for your Boudoir Session

Boudoir Portraits is a post from: MandarichModels.com that specialize in Boudoir Photography, Glamour Photography, and Fitness Photography

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Boudoir Photos of YOU for HIM

Wait.…didn’t we just get done with holiday gifts for him?  Well, now is the time to start thinking about getting him something for Valentine’s day.  He already has you, so why don’t you remind him how lucky he is by giving him beautiful, sexy, classy, images of yourself that he will treasure.  Many of our clients throughout the year get this type of gift for their husbands, boyfriends or partners.  Usually it’s for a birthday or anniversary, but the most popular time to give boudoir photography is on Valentine’s Day.  We love to hear about our clients’ husbands reaction to this gift; most are in jaw-dropping awe!   One client said their husband was going to put the photo in a frame on their desk at work, and another wanted a poster-size for his locker.  The personal, private, intimate nature of a boudoir image guarantees it will be a gift he will always remember.  So girls, ladies.…book your photo shoot now so we can create a plan for the style and presentation of the images you want to give.  We have a special for this Valentine’s Day Gift Idea,  or you can also check out our regular boudoir photo session prices.

Valentines Day Gift Ideas is a post from: MandarichModels.com that specialize in Boudoir Photography, Glamour Photography, and Fitness Photography

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The professional photographer utilizes a variety of tools to make his/her trade successful. Among the most important and least talked about is the definitive color and flair offered by a professional make-up artist. His work can make the difference between success and failure. Or perhaps, more accurately, professional makeup can make the difference between a stunning set of photos and a ho-hum set.

Many models apply their own makeup and feel comfortable doing so. However, the expertise and insight offered by a third person, who is also professionally trained, can make a contribution not available otherwise. For example, often a model uses an application that she developed over time, not realizing it may have become outdated and is not appropriate for the unique requirements of a photo shoot. The professional makeup artist is always current on fashion makeup and is able to use that information to lay the groundwork for a successful ‘look’.

Hair & MakeUp

Every model, whether male or female, has something unusual and unique about her/his appearance. It may be bone structure, or contour of eyes or mouth, or shape and tilt of nose… or some other eye-catching feature. The model’s hair may be unusually striking in color or texture or length or shape. Whatever features the model brings to the photo shoot can be emphasized and strengthened by a professional makeup artist. And that emphasis can then be highlighted by the photographer with light, pose and angle.

The professional makeup artist introduces herself to the model, creating a sense of trust and comfort with her expertise. She asks what the model likes and dislikes about her appearance, and discusses what visual effects they want to create together. The makeup artist knows he cannot accomplish his work without the cooperation of the model.

‘Looks’ are also created with makeup. Innocent, foxy, inviting, beguiling, stern and scolding, and many more, can all be generated with makeup. We’ve talked elsewhere about the role the model plays as a sales agent. Frequently, photos from a shoot will be used commercially, to sell a product. The ‘look’ resulting from the combination of physical attributes and makeup application will make a statement about the product. The makeup artist will create a look that is consistent with the product to be sold.

The photographer knows when to snap the shutter to achieve a striking photo that captures every element in a ‘just right’ place. Equally important, the makeup artist knows how to bring out striking qualities in the face and hair to make the total look ‘just right’. Color added to face and around eyes in the right way will make a feature look larger or smaller, depending on how color is applied; cheeks can be made to stand out or recede; eyes can be made to look larger or smaller; a round face can be made thinner and a thin face rounder. Outlining eyes or mouth will create emphasis, again depending on application and heaviness or thinness of lines.

He/she also knows how to minimize physical attributes that could detract from a quality photo. Makeup can camouflage all kinds of physical sins! But the makeup artist knows whether the ‘sin’ should be camouflaged or emphasized and her work is completed accordingly.

The model and photographer often cooperate with the makeup artist in decisions regarding how makeup is applied and hair is designed. The professional makeup artist isn’t a prima dona; she knows input from others is important to the total success of the photo shoot. The combination of her people skills and professional expertise contribute significantly to the success of the work.

Professional Hair & Make Up For Photography is a post from: MandarichModels.com that specialize in Boudoir Photography, Glamour Photography, and Fitness Photography

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With everything in life there is an ebb and flow. Without individuals interested in studying medicine, we would have no doctors. Without strong pallets for grape varietals, we would lack new blends of breathtaking wine. Just like there is a need for animal lovers to educate themselves to become veterinarians, there will always be a need for the beautiful people of the world to put one stiletto in front of the other and take the first step into the world of glamour modeling

There are many types of glamour models, whether your interest is modeling swimsuits, fitness, lingerie or boudoir photography, your personality and drive will be the key elements to your achievement. To become a successful model you must first understand that beauty will only get you so far, so we recommend that you run through a little checklist to make sure that you have the other necessary components to make sure that you fully capitalize off of all that you can. First of all, confidence is everything; if you don’t believe in yourself, than who will? Obviously if you are considering – or just inquiring – about entering the glamour industry, then either you or people around you have thought more than once that you have what it takes.

Second, you have to be prepared to put it the hard work of networking, researching, learning and continuously marketing toward opening doors for new opportunities. Though it has been dubbed the industry of glamour, it isn’t always glamorous. The photos may turn out to be beautiful, but understand beauty often comes at a price. The phrase no pain no gain rings true in modeling. If you think arching your back up, hips to the left, and head to the right is a natural pose to hold, think again.

Third, check in with yourself and see how committed you already are or are willing to become, because although it’s okay to acknowledge you are not ready to fully commit, it is not a good idea to waste your time or anyone else’s. This means, are you through with your hard-core partying days, skipping your workouts, and eating and behaving however you please? If you are not, then understand that this will not be a good career move for you at this time. However; if you know you have what it takes to be a glamour model, have the drive and commitment to yourself and your craft, and are willing to jump on a plane to a remote photo shoot in the rain in a bikini, well than you might be on the right track.

One Model Place

Model Mayhem

The number one factor in your success is you. There is nobody out there that can conduct, network and control your future more than you. There are many helpful tools out there to assist you while you embark on this new journey and like most other industries, networking will always be the best way to move forward. Onemodelplace.com is an excellence website that links you immediately to a community of photographers, stylists, agents and models ranging from amateur to professional. The second networking site that is an absolute must is ModelMayhem.com, which a straight shooting, no sugar-coating networking tool that will allow you to have an up-close view at the glamour modeling industry.

As you browse through these sites, take some time to write down your goals, limitations and expectations ahead of time. Be sure to set boundaries that you know you will always be comfortable with, immediately eliminating any unwanted job offers. It is imperative in this age of technology-driven business that you utilize all networking engines such as a Myspace and Facebook. Be sure to portray yourself in the most professional manner possible at all times when using these types of sites. Last but not least be sure to keep your personal life personal and your professional on the cutting edge of learning and professionalism.

If you know you have the look, the drive, and the people skills to be successful as a glamour model, then start here, start now and start accomplishing your dreams!

How To Become A Glamour Model is a post from: MandarichModels.com that specialize in Boudoir Photography, Glamour Photography, and Fitness Photography

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Fitness Model Lisa Robins

Working hard to break your way into the female fitness model industry is not that much different from trying to make it as a fashion model. There are subtle differences however so it’s important to prepare yourself properly. You will need to work hard and be extremely dedicated to make it as a fitness model but the work is extremely fun and exciting!

First and foremost, you will need to get in the best shape you can when trying to become a fitness model. Starting your own exercise program is a great start but for truly professional results, look up a personal trainer that can tell you exactly what you will need to work on and what you will need to show off your assets in fitness model photos. You will specifically want to work on becoming toned and slim and while you will want some muscle definition, avoid overdoing it. Fitness models and female fitness models in particular, still need to add some prettiness and sweetness to their look.

The next professional you will want to hire in your quest to becoming a fitness model is a professional photographer who specializes in fitness photography. These photographers will take many photos, focusing on the theme of sports and fitness although they will also take shots including glamour and swimwear shots. Arizona fitness photographers Char & Tony Mandarich are highly experienced with putting together portfolios and owning one is an important part of becoming part of the fitness model industry.

Fitness Model Mimi Dew

You will need this portfolio when you begin calling around to agents, which is your next step. Look around at fitness modeling agencies in your area and ask if they are taking on new clients. They will ask you for your portfolio and how much experience you have had. They will also ask you to come to the office so they may meet you face to face. When you go to that meeting, it’s important that you bring along your portfolio. If they like your portfolio, they will most likely decide to do a test shot so they can see how you work with their product and staff.

Once you find an agent, they will start to schedule you for go-sees. These are simply interviews with a potential client that you will be fitness modeling for. You want to look your best when you attend a go-see and make sure to be on time. Remember while you are there that you need to leave them impressed so they remember you and call you to become their new fitness model!

How To Become A Fitness Model is a post from: MandarichModels.com that specialize in Boudoir Photography, Glamour Photography, and Fitness Photography

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Every model needs a portfolio. Without a good portfolio, it is very difficult for a model to get paying jobs. A portfolio consists of pictures of you in different settings and locations. This showcases the variety of work for which you are available.

A great portfolio can take some time. Nothing happens overnight. You will need to build your portfolio by selecting your best photos from shoots with several different photographers. Your portfolio needs to consist of a wide variety of photos. A good portfolio should contain anywhere form 10 to 30 photos. You will need a head shot with no make-up. This will showcase the natural you, and is something the client can look at as a blank canvas. Also you will need an incredible body shot in a swimsuit, lingerie or form fitting clothing to showcase your body. These two photos are probably the most important in your portfolio because every client needs to view these types of photos before coming to a decision.

The images in your portfolio also need to showcase a variety of styles. You may want to show versatility by taking some outside photos with a bright, commercial, cute look. Then take a picture inside with a black background with darker make-up giving the more mysterious kind of image. Also having different make-up and wardrobe in every picture shows the different looks you can create. Creating the variety is the key to an incredible portfolio.

Stephanie Seymour’s Model Portfolio

To find the right photographers, research on the web and ask around. Once you find one that seems suitable ask about the kind of work he specializes in because you may just want to use one photographer for glamour photography and another for a more commercial look. In deciding upon using the photographer don’t forget to ask basic questions about wardrobe, hair and make-up. Also ask if he/she edits the photos, as this may play a big role in the final outcome of the picture. Always ask to see several samples of their work.

The pricing in a photographer should be reasonable. The photographer shouldn’t be ridiculously priced, neither should he be cheap. The more money you spend on a photographer usually reassures you that you will get what you pay for, but make sure to ask if you will be able to re-shoot without charge if you are unhappy with the final images.

Once you have obtained all your photos, you should put them in a model portfolio book. Yes, a print portfolio is still very important for models, even in this day of web portfolios. Make sure to choose a quality, professional-looking portfolio book, in at least an 8x10 size. It is often advisable to create two print portfolios, as often a booker will keep your portfolio for several days and you don’t want to be without one if you get a call from another potential employer. Also, if you do both glamour and commercial work, consider keeping those print portfolios separate, as a potential commercial booker may be put off by suggestive glamour images.

Female Model is a post from: MandarichModels.com that specialize in Boudoir Photography, Glamour Photography, and Fitness Photography

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For a variety of reasons, photographing fitness models is a big part of our business at Mandarich Models. Since Tony Mandarich, a former NFL player, was on the cover of Sports Illustrated, fitness models just seems to gravitate towards us. We still spend a lot of time at the gym as well, and we’re in constant contact with people in the fitness profession (as well as with fitness models). Therefore, fitness model photography has grown to be a significant division of Mandarich Media Group.

Fitness Photography

Often, fitness photography involves clients that aren’t professional models, so extra time and attention must be spent preparing these clients for the shoot. When shooting with a client who is experienced in fitness competitions but not in modeling, it is important to discuss the differences between being on stage in a competition, versus being in front of a camera. During a fitness or figure competition, models are often spray-tanned, slathered in baby oil, dehydrated and caked in overly-dramatic makeup. In front of the camera, the same person needs to have a nice natural tan, professional hair and makeup (not overdone!), and be well-hydrated so as to be able to spend 2–4 hours in front of the camera. Women should have a manicure and pedicure, and men should pay attention to their hands and feet as well. Since fitness photography often focuses on specific body parts, attention to the small details can be more helpful to a fitness model than it is to many other types of models.

Another important part of planning a fitness model shoot is the theme and wardrobe. Often such a client has a stage wardrobe that they use for their competitions, which may or may not be effective in front of the camera. I suggest having the client bring several outfits that we can go over together, and decide which is going to work best considering the type of final product we are seeking. Loud colors and bright patterns should generally be avoided, as well as any other clothing or accessories that detract from the fit body being photographed. Unless you’re shooting a fashion client, the motto for wardrobe and background should be “K.I.S.S” (keep it simple, stupid!).

Fitness Model

If you’re not shooting in studio, a fitness client may want shots that emphasize their level of activity. Be prepared to hike, bicycle, or swim to ‘get the shot’ for a fitness model. If you have access to a gym before or after hours, they will often be interested in letting you use the gym as a set if you’re willing to provide finished images in trade. Be prepared, though, to show your liability insurance! If you don’t have access to a gym, consider having an assistant drive you as you shoot out of a moving vehicle as the model runs, cycles, or roller blades… not many photographers are willing to literally ‘go the extra mile’, and your fitness client will be thrilled that you understand what is important to them.

When shooting in studio, we like to use dramatic lighting with fitness models. One strobe, positioned at a dramatic angle, can really make the muscles on a fitness client ‘pop’. One of my favorite shots that I’ve ever taken was with a male fitness client, using only one strobe, positioned slightly in front and above the model. The definition in his abdominal muscles was highlighted by the deep shadows created by the direction of the light. This image also adheres to the K.I.S.S. philosophy; simple background, simple wardrobe, one light… and an amazing finished image!

Fitness Models is a post from: MandarichModels.com that specialize in Boudoir Photography, Glamour Photography, and Fitness Photography

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Does a professional photographer really need a model photo release  form?  How does it protect the model?  Are there times when releases aren’t necessary?  How do you know?

Professional Photographers today are finding both legal protection as well as clarity with use of model photo release forms.  Such forms state the purpose for which a model’s images will be used and where they will be placed.  Her signature gives the requisite permission to the photographer.  Neither party can misunderstand what is explicitly stated.  The release becomes a guideline for how the photographer will handle the pictures.

A lot of images are uploaded daily to internet web sites, and the release becomes especially important.  Surprises are great at Christmas and birthdays; they are not great when a model clicks on a web site and sees pictures of herself that she didn’t know would appear.  A generic statement in the release that includes all possible media and venues eliminates the surprise element.  The model photo release form makes clear the photographer is in charge of where the images will be placed.

Models pose for commercial shots daily.  Their images will appear in printed advertisements, brochures and posters advertising a product or service, any product that will be ultimately sold to the public, and any eCommerce sites (such as photography), to name a few.  We are not aware of litigation surrounding permission or lack thereof for use of photos.  However, we believe obtaining written permission from models to use photographs of them is good insurance.  Potential legal hassles can be avoided fairly easily if a model release form is standard operating procedure.

Non-commercial uses of pictures of models poses another set of questions.  If we look at photo journalism for example, we see photos being used in articles that are sold for a photographer’s profit.  If photos become a story that is sold to a magazine or newspaper or ezine, is a release necessary, especially if one or more photos feature a person?  The owner of the story is making a profit from the sale of the article/pictures.  Does the person featured have a proprietary interest in the pictures?

We believe a case can be made for being respectful and having consideration for others, especially when their images are being used for the benefit of another.  This probably isn’t a legal matter as much as it is just treating people with respect, whether it’s a professional model or a passerby on the street that you catch at just the right time for a spectacular photo.

Securing permission is wise even when you photograph strangers.  Most professional photographers keep digital files of their work for use in the unknown future.  Such use may include commercial projects that weren’t defined at the time the shot was taken.  File shots that may be perfect for commercial use later will need release forms; otherwise, their commercial value is nil.  Obtaining that permission at the time the photo is taken allows for limitless possibilities in the future.

Model Photo Release is a post from: MandarichModels.com that specialize in Boudoir Photography, Glamour Photography, and Fitness Photography

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swimsuit modeling is a very competitive field and the number of top models herein increase and decrease on daily basis. Once you decide to be a swimsuit model, the first job is to do a lot of research in order to find the right agency for your promotion.

The city of New York is known as one of the major cities for modeling opportunities. Hard work, attraction, connections and luck — all play a part in deciding where you end up in this profession. No matter where you are based, if you sign with a big and popular agency that’s based in New York as most of them are, there is a fairly good chance that you’ll end up well. But it is important to know that there is always a demand for models in minor markets such as Chicago, Philadelphia and Phoenix.

Swimsuit Model

Swimsuits modeling very necessarily demands a good body. Being a swimsuit model might seem easy but coming back to reality, modeling is just another job at the end of the day. It’s hard to make a good living and even harder to sustain it for more than a few years. Only a very few make it into the upper echelons of the profession.

The supermodels that we are so used to seeing around must have initially had to take on secondary jobs just to make their ends meet. Many models end up doing this job only for a few years as it is pressurizing to live on a daily diet of rejection and keep up to look a particular way. Such pressures can take a severe psychological toll and may even be a risk to life.

It is usually the young models with training and experience that are most wanted as swimsuit models. There are various training schools out there that teach ramp walk, picture posing and hone your present skills as young models. It will also help you when you audition for a modeling agency.

Having a models portfolio and gaining some basic instruction is important if you are considering taking up modeling as a full-time career. It is a swimsuit models duty to select swimsuit modeling agents, who are correct for them. You can mail your picture and resume to all of the modeling agencies in your area. Every major city has well-established modeling agencies so you must get in touch with a few to get their opinions.

Some of the best lingerie models modeling agencies look for bikini models but they may vary according to their requirements and choices. Picking an agent for swimsuit models that is well known and established is important.

Swimsuit Models is a post from: MandarichModels.com that specialize in Boudoir Photography, Glamour Photography, and Fitness Photography

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As photographers who shoot extensively with glamour and bikini models, we often have non-model clients who are interested in being shot in that same style. We have now created special Boudoir Photo Sessions to be able to provide these clients with both the ‘model experience’ and images of which they will be proud.

Why Boudoir Photography? Many of these clients are not model-perfect, and can’t be shot in the traditional glamour or bikini style. Offering boudoir photo sessions allows us to create beautiful, sensual, sexy images for them, without being overtly sexual or creating images that are non-flattering to the client.

Most of our Boudoir clients have never been part of a professional photo session, and are both nervous and excited at the same time. The prospect of having sensual images to share with their husband, fiancé, or boyfriend holds tremendous appeal, but they’re also extremely self-conscious and fearful of looking old, overweight, or unattractive.

As the photographer, you need to create an atmosphere that is relaxing and non-intimidating! There is a fine line, however, of which you must be extremely cautious. Playing soft music is pleasant, but if the client hears music with sexual overtones, they may begin to feel uncomfortable. If you are a male photographer doing boudoir photo sessions, a female assistant can be invaluable in helping the client stay comfortable. Also, remember that a boudoir client is not used to being treated the way you may treat a professional model; we often touch models to adjust a piece of their clothing or hair that is out of place, and they are quite used to it. However, touching or adjusting a boudoir client without asking can make the client feel extremely uncomfortable and ruin the session. Always remember, even if this client is posing in lingerie on a bed, treat them with the respect you’d give an executive client in a boardroom shot.

As far as the technical aspects of Boudoir shooting go, we recommend shooting at an open aperture for a soft, shallow depth-of-field. This allows you to create a soft, sensual feel for the client. Muted backgrounds and colors can also help create an overall soft feel for the client. For lighting, try to create a soft falloff of light from one side of the image to the other, with suggestive shadowing and a lot left to the imagination! When posing the client, offer feedback such as ‘that pose is so flattering to you!’ and ‘You look so marvelous and relaxed on this background, it really suits you well’. Avoid using phrases like ‘You look so sexy!’, or ‘That is so hot!’, which may have the unintended effect of creating tension in the client.

Expanding your business to include boudoir photography is a smart move for the glamour and bikini model photographer, as long as you always remember that your boudoir client isn’t a professional model, even if you are shooting them in the same setting and style you use for the pros you shoot!

Boudoir Glamour Photography is a post from: MandarichModels.com that specialize in Boudoir Photography, Glamour Photography, and Fitness Photography

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Remember the movie “Zoolander”? In that hilarious Ben Stiller comedy, male model Derek Zoolander had several trademark ‘looks’, all of which were exactly the same. As a model, you need to be able to provide a variety of different looks and expressions in order to be versatile enough to hire again and again. Here are some tips to avoid the “Magnum is Blue Steel” trap:

Derek Zoolander

• Practice in front of a mirror! Modeling is work, and part of that work is practice and preparedness. Practice full smiles, half smiles, pouts, snarls, dreamy eyes, surprised eyes, mouth open, mouth half-open, and every variety you can dream up!

• Learn how to use your hands. Practice how to elegantly place your hands in your hair, on your neck, framing your face, and so on. Wearing jewelry at a shoot? Pretend you’re shooting for a jewelry store and ‘showcase’ the items you’re wearing. Learn how to use your hands without placing the full back of your hand or your full palm directly at the camera. Those two big, flat patches of skin will always draw attention away from your face. Learn to keep your hands angled away from the camera lens.

• Remember, you don’t have to be looking into the lens in every shot. Keep variety in your images by learning how to glance away from the camera, without turning your head to a profile shot. Practice looking away without letting your eyeballs hit the corner of your eye; images look best when the viewer can see whites on both sides of your eyeballs.

• Stuck for a different look during a shoot? Practice saying the vowels, which creates different shapes in your mouth. A long, drawn-out ‘a’ creates a pretty, open-mouth smile, while a ‘u’ creates a sexy pout. Go ahead and say them out loud… it works wonders!

• Most importantly, don’t be afraid to take a bad shot. In today’s digital world, you don’t ‘waste film’ with a bad facial expression. As a professional glamour photographer, I know I much prefer dumping a few bad shots from a model who experiments with a variety of looks, to having a full set of great images from a model who only gives me ‘one look’.
Yes, most models find one look that always works for them… but once you’ve give a photographer a great shot with that expression, move on and give them more to work with!

Tips For Female Models is a post from: MandarichModels.com that specialize in Boudoir Photography, Glamour Photography, and Fitness Photography

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Just like every model needs his or her print portfolio, every model needs a composite card. They are essential in acquiring jobs and clients.

Composite cards are also referred to as zed cards. Models, and often actors, who want to market themselves use these cards. These cards come in different shapes and sizes, so a model or actor is able to customize his or her card using their own creativity. A standard card ranges from postcard-sized up to full 8x10. Consider keeping your comp card between postcard and 5x7 size; anything smaller or larger may be discarded by an agent simply because it doesn’t fit well into their pile!

Zed Card is also known as a Comp Card

There are several ways a model can go about designing their comp card. If you have an agent, they will almost certainly have a pre-made template design for your comp card that they will help you put together. There are also software programs available for creating composite cards, and if you’re not a do-it-yourself kind of person, you can work together with a photographer to put together your composite card. There are also professional design services available online, where all you need to do is upload your images and they will take care of the design and printing.

Your composite card in a way can serve as your business card or portfolio as well. You want to design your composite card like your portfolio; you want the best pictures you have to be on your composite card. Design your comp card in a way that will reflect what you do best, but also showcase a variety of different pictures, implying that you can adapt to any kind of work. A typical card has a large head shot on the front and a variety of smaller images on the back. Also on the front of the composite card are listed basic statistics like height, weight and measurements. These stats are very important so make sure you put them on your card.

When visiting your agent, or any other agency, it’s important to look the part of a serious professional model. Having an updated, complete, professional comp card is an important aspect of ‘looking the part’. Make sure not to overlook any of these small aspects of being a pro; it could make the difference in getting the job!

Female Models & ZED Cards is a post from: MandarichModels.com that specialize in Boudoir Photography, Glamour Photography, and Fitness Photography

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